Canon C300 Mark III Key Features. The C300 Mark III features a modular design, allowing users to customize the camera to their shooting environment, thus catering to a large variety of production scenarios. It has 10 bit though. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Canon has just officially announced the new Cinema EOS C300 Mark III camera and a new 25-250mm zoom lens today. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. The comparison above is shot at 1080p but with an anamorphic lens to correct the 3:2 aspect ratio, the 5D Mark III goes to 1280 lines from … The 5D Mark III raw is impressive and compares closely to the C300, but has a few more tricks which elevate it. In 2K… The Canon EOS C300 Mark II is Canon's update to its first generation cinema camera, the Canon C300, and is part of the Canon Cinema EOS line. If you really wanted that option you are better off with the C500 Mark II. Notable new features compared to the previous model are the implementation of a sensor capable of a 15-stops of dynamic range, 4K XFAVC and 12-bit internal recording, color matrices, and the ability to record raw motion video via external recorder. As part of today’s ‘Imaging Unleashed’ virtual press conference, Canon has announced the Canon C300 Mark III, its latest Super 35mm cinema camera with a new Dual Gain Output (DGO) sensor and a modular design based on the same frame as Canon’s C500 Mark II. As soon as you wanted to achieve more than 60fps, most of the cameras cropped massively into the sensor. These include 15 stops of dynamic range, Canon Log 2 recording, Dual Pixel CMOS AF, simultaneous 4K and HD proxy … Shortly after the publication of our Canon C500 Mark II lab test last week, we learned that we will gain early access to a pre-production Canon C300 Mark III in our headquarters in Vienna. The EOS C300 Mark II Digital Cinema Camera integrates a re-designed imaging system of advanced components. It is removable. has no 10 bit 4k (even external) but it has 12/10 bit Raw internal to fast. The lens mount attaches with four 3mm hex screws. The other gain suppresses noise in the shadows. C100 II is a bit underwhelming 1080 camera. Canon claims this results in an image with up to 16+ stops of dynamic range. Super 35mm Dual Gain Output (DGO) Sensor; 4K 120p, 2K Crop 180p HDR; Cinema RAW Light and XF-AVC H.264 Codec; EF Lens Mount, DIG!C DV7 Image Processor; Price: $10,999; Canon C70 Key Features. 174mm vs 183mm; 2mm narrower? Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Canon EOS C300 Mark II The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. Canon EOS C300 Mark III . The Canon EOS C300 Mark III is a modular camera system, like the full-frame Canon EOS C500 Mark II that debuted last year. There will be no 8K version of the camera like previously reported according to this source. For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. EVF-V50 is a small, 0.46″ OLED viewfinder that attaches to the back of the camera. The FX9 delivers that, the C300 Mark III … That’s nothing to sneeze at if you’re coming from a DSLR, but it pales in comparison to the C300, which comes in at 6 lbs fully rigged. J.P. Morgan and Kenneth Merrill from The Slanted Lens are trying to help us with that decision by reviewing Canon C300 Mark II and Sony FS7. The new information says the C300 Mark III will remain a 4K Super35 camera, but with a more modular design like we see with the C500 Mark II. As for recording, the camera can shoot UHD and DCI 4K at up to 120 fps. A fully equipped C100 Mark II with the grip, batteries, and top handle weighs in at 3 lbs 2 oz. Vincent Laforet was given access to a prerelease version of the EOS C300 to shoot the short film Möbius. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. The C300 Mark III … The first gain focuses on saturation in highlighted areas. Canon has been on a kick lately releasing new cinema cameras. It does this by reading out each pixel through two separate gains. OLED Electronic Viewfinder EVF-V70 was introduced with C700 series and will works with C500 Mark II, C300 Mark II, C200, and now with the C300 Mark III. The EOS C300 Mark II Digital Cinema Camera's re-designed imaging system includes dual DiG!C DV 5 image processors, which work in concert with the camera's advanced Super 35 CMOS sensor and XF-AVC codec to enable a wide variety of image quality and feature improvements. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. C300 mark II has no raw (even external) and no 4k60. The EOS C300 Mark II delivers high image quality and a wide dynamic range in a compact and ergonomically designed body that has improved operability, ruggedness and options for expansion. Canon C300 Mark II review Jan 20, 2016 Sharing link to a C300 Mark II video review https: ... Canon EOS 5D Mark III Canon EOS-1D X Mark II Canon EOS 80D Canon EF 400mm f/2.8L IS USM Canon EF 24-70mm f/2.8L USM +3 more. Its in-built advance focusing functions that assist professionals for manual focusing stems from the next evolutionary step in DAF engineering. Canon EOS C300 Mark II Canon EOS C700 The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. THE C100 MARK II IS NOTABLY LIGHTER. The Canon C300 Mark III cannot do true anamorphic due to the smaller sensor height. The newly developed 4K Super 35mm DGO imaging system captures high dynamic range conten… They … And of course we had to take an immediate “lab test” look at Canon’s latest Super 35 … The next-generation Super 35mm workhorse features a new Dual Gain Output (DGO) sensor and, like the full-frame EOS C500Mark II digital cinema camera, employs a modular design and an interchangeable lens mount optional accessory that allows users to easily customize the camera according to the needs of each project. 12G-SDI Support Support for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. Super35 Dual Gain Output (DGO) Sensor; 4K 120p, 2K Crop 180p HDR Capture; Canon Log 2, 3, PQ & HLG Recording 12G SDI Support for 12G SDI allows the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. The US price for Cinema EOS C300 Mark III body is $10,999, now available for pre-order at B&H Photo Video/Adorama.The US price for CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens is $29,999, now available for pre-order at B&H Photo Video/Adorama. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Canon Cinema EOS C300 Mark III camera features a 4K Super 35mm CMOS Dual Gain Output (DGO) sensor which the company says can shoot 4K/60p with high dynamic range and low noise in DGO mode. The Canon C300 Mark III is a powerful little cinema camera that’s been getting a lot of attention since its release. Yates declares the C300 Mark III the winner without question. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. Now, it is speculated that the latest Canon Cinema EOS C200 Mark II will feature the same sensor as the Cinema EOS C300 Mark III. [4] [5] In addition, the C300 was used along with other Canon EOS dSLRs (such as an infrared-modified Canon EOS 5D Mark II ) [6] on the short film When You Find Me , directed by Bryce Dallas Howard and produced by her father Ron Howard . This flexible design can be configured according to the shooting and equipment requirements, right down to the lens mount – which can be changed between EF, PL or EF Cinema Lock without the need of converting by a service center. These include a newly developed 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor that supports up to 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels and a high-speed readout for reduced rolling-shutter distortion. I think the C500 Mark II, C300 Mark III and C200 Mark II will be compatible with an RF-mount conversion that was rumored earlier. 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